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Showing posts with label ORGANIC WINE/FOOD. Show all posts
Showing posts with label ORGANIC WINE/FOOD. Show all posts

20080206

Not my favourite, but perhaps the perfect wine for you: Domaine de Ribonnet Clément Ader 2001

No substituting a Gamay for a Malbec in today's post -- although I will say I'm going to pretty much offer a bonafide endorsement as this bottle was darned close to making it into my fave top five last year.

I thought I was the owner of all remaining bottles in Montreal back in November. And I think I was until the SAQ went and restocked the warehouse with more. Now there's enough for everyone who reads this website. Which is a good thing. Plus, not only is it back on shelves, it's still appearing as the great 2001 vintage (click on the label image for vendor product info). And because it's a typical Bordeaux blend, this wine is just starting to show off its stuff.

HATING BORDEAUX

But you know, I guess I put all these things it had going for it aside. Because in the end -- after all the bottle hunting, schlepping them home and the copious note-taking -- I didn't think this was among my personal favourite wines. I'm down to two bottles of it and I'm not even planning on getting more of the new stock that's been released. Why? Maybe Eric Asimov's current discussion at The Pour on why people increasingly "hate" Bordeaux (or Cabernet-based wines that approximate Bordeaux) has something to do with it.

(For the record, to "hate" Bordeaux is to value taste over judgment, which, for so many reasons, is fine in wine criticism as long as you know you're doing it... Lyle Fass seems to be aware of this and I think Eric Asimov is too.)

Without further ado, here's what to hate:

This is a classically styled wine blending the big Bordeaux grapes -- 40% Cabernet Sauvignon, 30% Merlot and 30% Cabernet Franc -- so no dangerous change-up from blackened Cahors to light-bodied Beaujolais on tap here.

It's actually classic Bordeaux grapes in the form of a vin de pays or French country wine. The vdp region is Comté Tolosan, which lays outside the doorstep of the Gironde, nestled in the Pyrenees that approach the Midi of the South of France. The location means it can only ask for a fraction of what you'd expect to pay: $18.75, or a total of exactly $225 for a case.

So this, folks, is where your bargain wine is at.

Domaine de Ribonnet Clément Ader Vin de pays du Comté Tolosan 2001 (Note: Clément Ader is not a winemaker, but rather a French aviator to whom this cuvée is dedicated.)

Eyes: Deep purple with dulled edges.

Nose: Rich red fruits, grenadine and lots of berries, stewing, with hints of licorice and leather and maybe animal, and over time, a crystal clear impression of muddled strawberries with white pepper. Yummy.

Mouth: Decanted for about two hours to open it up, the Ribonnet Clément Ader possesses dusty tannins and a gauzy minerality. It works against the fruit at first pour but after three hours in a carafe, the earthiness begins to balance fruitiness. After longer than that black fruit and licorice start to dominate the flavour profile. A solid wine that combines both the austerity of a fine Bordeaux and the sunniness of a Midi wine.

Stomach: Wraps itself around food quite well at this point. It leans on it and perhaps needs it when first opened, a half-dozen years into its life (with at least another half dozen to go).

Christian Gerber, Beaumont, Lèze, France. 13%. Certified organic wine.

20071230

Domaine de l'Écu makes my favourite wine of the year

    

Expression de Granite Muscadet-Sevre et Maine 2005 (about $19)

With a tip of his hat to the soil that the Melon de Bourgogne vines sit upon, Guy Brossard at Domaine de l'Écu creates a memorable Muscadet in more ways than one.

He makes an organic, biodynamic, terroir-driven wine from the Nantais region of France and it's terrific. He produces a touchstone for the zesty, minerally and briny style of modern Muscadet, the definitive wine where the Loire abuts the Altantic Ocean. And you could literally say this wine has touched stone -- it is after all named after the granite under the vines -- and when you taste it, it still seems like it's reaching out and bringing you that wonderful stoniness and minerality.

That's not why I think it is a wine of the year however. On top of being the epitome of great Muscadet, in 2005 this cuvée goes great lengths to integrate remarkably luscious fruit flavours into a perfectly balanced white wine that promises ageing potential. And it does all this at under $20.

At the place I bought my bottles of the Expression de Granite -- the SAQ -- the total per bottle came to $19.55. That was in October. Prices have gone down markedly since then, but so have SAQ stocks. In fact, the SAQ catalogue no longer even lists this item. Click on the bottle image above to go to The Wine Doctor's resourceful reference page, which includes tool to find stockists that carry this wine. (I see that this is another Doctor who has just posted notes on this wine in December.)

Many places should still carry the 2005 Expression de Granite outside of Quebec (along with the Planeta this might be the most widely distributed bottle in my top five). American merchants will likely sell it at pricepoints down to $15. Grab them! Or tell me where I can get more for myself, please. As always seems to be the case, the fab 05 vintage is being ever-rapidly replaced with the subsequent vintages.

This is a truly amazing wine, and likely the cuvée I am most confident proclaiming the "best" that's out there.

Eyes: Light and transparent.

Nose: This struck me as typical. Citrus fruit, subtly rasping aromas, mineral and slightly floral, maybe anise.

Mouth: In the mouth, the distinction of this wine is revealed. Very saline at front palate, enticing weight and personality through the mid-palate, and fine length echoing strongly a level of fruit not often seen in a Muscadet. A tremendous expression! It is masterful how a firm and briny attack relinquishes to strong and fruity finish -- no Muscadet I've known has a such an amazing arc going from saline to citrus as this one does.

Stomach: Great on its own as a classy aperatif. But because this wine is so much more dynamic than the usual Muscadet, don't limit food pairings to oysters. I think it makes me light up so much because it carries tones of licorice and anisette. So any dish relying on a fennel bulb would be a perfect match. Equally as good would be savoury salads featuring orange sections to echo the lovely citrus notes. Ultimately the admirable acid suggests its versatility. I would like to try this with fresh fish in a herb sauce with lime, savoy cabbage coleslaw, zesty garnishes with capers and shallots, and so much more.

20071229

Clos du Tue-Bœuf makes my favourite wine of the year

   
Clos du Tue-Bœuf Rouge Cheverny 2006 (about $15)

In any previous year, Portuguese red blends -- frequently strong values -- would be in my list of favourites. Last year, the Casa de Santar Dão 2003 was one of my go-to everyday wines, for instance.

This year, I have found similar strong value, and a familiar rusticity, flavour profile and food-friendliness, in a Cheverny red blend, the generic cuvée from Clos du Tue-Bœuf (of France's Puzelat fame).

Cheverny is a French AOC in the Loire Valley and it is more associated with white wines than red. I would hardly expect it to suggest to me my favourite Portuguese bottles. But it did.

It's even stranger that the grapes blended together to do this are Gamay and Pinot Noir -- not exactly kin to the indigenous grapes of Portugal, or their reputation for yielding heavy and tannic wine.

This entry-level Tue-Boeuf was introduced to me by BrooklynGuy back in August. At that time, I was the first of thirteen people to comment on his report, salivating over what sounded like my ideal find -- what he titled "The Finest Value Red of the Season". Having just arrived back from a New York vacation days earlier (during which time I got to experiment with some inexpensive unfiltered Beaujolais that was Bguy-approved and meet the man himself), I commented that I could only hope to return sometime in the fall to hunt down this fetching cow-killer of a cuvée.

Months pass, and it's late November. I'm in Brooklyn. By all accounts this wine is out of stock (but I had all but entirely forgotten about it anyway). Sure enough, along comes Brooklynguy to meet me at a Seventh Avenue wineshop in Park Slope called Prospect Wines and he's carrying with him his last bottle of Tue-Boeuf and he proceeds to serve it me at BYO down the block. What a guy. That this wine turned out to be every bit as good as he had described was just the icing on the cake. This was one of the best wine experiences of recent memory -- and surely one of my favourite pours of the year too.

This wine is definitely unavailable in Brooklyn (or else I would've retrieved it), and as I mentioned, I couldn't get it in Canada. So suffice to say good luck to you tracking some down.

For the tasting notes on this one I leave you in the capable hands of Brooklynguy, who wrote about this bottle from summer into fall on CellarTracker in 2007. Here's how I cut and paste his observations together. (Thanks again Brooklynguy!)

Eyes: Light but deep, ripe and earthy (hmmm... I think this is referring to palate rather than appearance).

Nose: Lovely Pinot Noir nose of griottes, clean aromas of dark red berries and once open for about 10 minutes, vivid floral aromas -- dark violet.

Mouth: Pure, juicy, sweet and luscious, this is a bowl of black cherries on the palate, with pleasant earthiness and lip-smacking acidity. Smooth, although slightly grainy texture, and floral. Delicious. Low alcohol.

Stomach: Fantastic inexpensive Pinot/Gamay blend incredible how delicious this wine is (especially when you're eating -- we had it with hummus and fresh Middle-Eastern bread, bean stew, grilled lamb, and salad). When you think that it costs about $13 it becomes ridiculous.

20071029

There's no caffeine in Muscadet

The way I start out my day seldom changes, yet for some reason this morning it suddenly seemed blogworthy.

I make coffee. Here it comes...


An unassuming enough of a start to one's day, you'd think. But actually, really really blogworthy...

Organic vs conventional! Fair trade vs direct trade! Caffeinated vs decaf! Espresso in a shot vs espresso in a cup!? Just pick your talking point.

To make my espresso-based latte-macchiato hybrid that I drink, I use these beans. They are made by Intelligentsia Coffee and Tea, a coffee importer.



I have other coffee in my cupboard ... this one... this one... and I even forgot I had this one.



I usually bypass them unless I've run out of freshly roasted Intelligentsia. But today I realize that all these coffee labels remind me a lot of wine labels. They're less a manufacturer's smacked-on trademark and more a tribute to the grapes and beans that go into it.

And while overly processed bread, dairy and fruit preserves drive me nuts, I don't seem to mind consuming processed foodstuffs when it comes to wine and coffee. Maybe that's because each one undergoes a substantial transformation -- they require significant craftmanship and some exact science before they can become acceptably drinkable. So it's the non-transformative processed food I avoid: industrial fish sticks and other frozen dinners and prepared foods that are overpackaged conveniences -- which really only seem to replicate the easier kitchen tasks I can perform without much effort, and usually, with better results.

I suppose I could try roasting my own coffee. A couple of years ago I made the leap to grinding my own coffee beans (even though it's only a blade, not a mill, grinder) and that paid off nicely for me, including this morning, as you can see.



I'm nowhere near taking on winemaking.

ORGANIC VERSUS CONVENTIONAL AGRICULTURE

I feel the first talking point coming on.... Another reason I don't mind consuming processed items like wine and coffee is because they are both involved in a positive labeling endeavour. During WLW 1 (Wine Label Week), I saw that labels don't need to be obscure sources of information once you know what you are looking at. And new label designations based on environmental certifications for organic or biodynamic farming -- Terra Vitis, Eco-Cert, Demeter, etc -- are generally being conveyed clearly to the consumer. These are good developments.

Coffee is similar to wine on being green and accountable to drinkers in how it obtains standards from a group called Fairtrade Labeling Organizations International, which sets rules on farming techniques, pesticides and recycling practices. The organization even has a program to encourage children of farmers to stay enrolled in school, so the initiative is obviously based on more than how food is cultivated but on equity practices too, which are primarily concerned with the condition of the farmer and his laborers.

Like wine, coffee is certified through visits to farmers to verify that they are meeting the criteria that bar, among other things, the use of child labor and harmful chemicals.

FAIR VERSUS DIRECT TRADING

So, like wine, some coffees can carry the organic label. On the whole, also like wine, most are still not certified. At the risk of sounding like a cop-out, sometimes you can rely on and trust in the brand name you endorse. Intelligentsia is that trusted brand name that appears on the label. Even when no official green certification is there, I buy Intelligentsia. Because while they are actually not a "fairtrade" certified company, they are a reputable "direct" trader.

That's because Intelligentsia has spoken out. They have said that fair trade coffee is as exploitive as the conventional kind, especially in countries that produce the highest-quality beans -- like Colombia, Ethiopia and Guatemala.

"Fair trade farmers there are barely paid more than their counterparts in Brazil, though their crops become gourmet brands, selling for a hefty markup, said Geoff Watts, vice president for coffee at Intelligentsia."

Full details in this business article in the New York Times.

CAFFEINATED VERSUS DECAFFEINATED COFFEES

Speaking of the New York Times, a Yahoo! feature on caffeine pointed to a NYT blog post which in turn pointed to my blog via one of the comments I left. As a result, my hits went absolutely through the roof -- more than a hundred visitors were on my site at once and 800 visits for the day total. I could post these record-setting charts and stats but I myself was going through the roof at the time too, so I'd rather talk about that.

Basically, coffee is a broad term and the coffee I drink and the coffee Tara Parker-Pope writes about in her NYT blog called Well about are not the same thing. She reported on drip coffee caffeine levels and then ran a photo of an espresso-based coffee. These are not the same types of coffee, especially when it comes to caffeine level.

In her Well blog, Parker-Pope acknowledged my issue with this in saying that "You are correct that per serving, espresso (which is served in shots rather than cups) typically does have less caffeine than drip coffee."

ESPRESSO IN A SHOT VERSUS ESPRESSO IN A CUP!?

But espresso is espresso is espresso. It doesn't matter if an espresso shot is served in a cup with milk as a cappuccino, or if it's served solo in a shot. It's still a single espresso, and it'll have the same level of caffeine no matter where it is.

There is a reason I am making a point about how different espresso is. The image attached to this caffeine story as it made the rounds through the media is clearly a an espresso-based beverage -- a cappuccino or similar artisanal coffee from the looks of its latte art on the top. Cappuccinos and other artisanal coffees like macchiatos and lattes, are the combination of a shot of espresso and varying amounts of warmed milk. Cappuccinos therefore have the same low level of caffeine as the espresso shot it is made with. But most importantly, cappuccinos by their very definition are not drip coffees, which are brewed and which are more heavily caffeinated. Yet a drip coffee is not the image chosen for this damning report on some drip coffees -- specifically the problematic levels of caffeine in drip decaf.

Why place an illustration of a non-drip coffee beverage under the headline? And why a beverage that uses a single shot of espresso which has LESS caffeine (as low as 30 mg) than a cup of Dunkin' Donuts drip decaf (as high as 32 mg)? Clearly, it's because image sells and a pretty one will draw more interest than brown, watery and lifeless decaf. Those readers who don't care about caffeine will visit just to see the dazzling latte art. Those readers who do care about caffeine levels will visit to analyze their coffee intake. In both cases, readers leave with an false association of artisanal coffee and high caffeine.

I think this is shoddy journalism by the New York Times and they should be more upfront about the photos they choose to run.

Cappuccino, which when made by a real barista, looks better, tastes better and actually is better for you on the caffeine front than the unattractive brews festering in decaf coffee pots. But based on the warning-alert nature of the headline and its accompanying image, it's the attractive espresso-based coffee that undeservingly receives the black mark, not the black decaf, the ugly fast-food swill that is actually the problem.

And once again, the media circus health report sets out on the wrong foot and potentially does more harm than good.

20070529

The ghost of WBW past: "Ego" 2000 and Domaine Sainte-Marguerite 2001

domaine st. marguerite cotes du roussillon 2001
domaine cazes ego cotes du roussillon-villages 2000This here would be the last post on WBW 33 for all time.

I had to post this because I noticed that the Domaine Cazes "Ego" Côtes du Roussillon-Villages 2000 reappeared in stores as if back from the dead just when WBW 33 was winding down. I explained in my roundup that Roussillon bottles were hard to come by in Quebec stores so that explains part of why I rushed out to buy it and churn out a WBW post scriptum.

This Domaine Cazes wine from the 2000 vintage is also on record as Michel Phaneuf's favourite from the producer (a rather large selection in Quebec of some 10 Cazes products, including the Rivesaltes I reviewed a couple of weeks ago, seems especially large in light of the modest Roussillon representation here). His influential approval is part of the reason why inventories depleted away to nothing. So I simply had to try this and really put a nail in the WBW 33 coffin. Since I didn't want to end up hammering away at it all summer long, I picked up the Domaine Sainte-Marguerite Côtes du Roussillon 2001 while I was at it, more serene-looking than "Ego" with sloping shoulders like a Burgundy bottle and quietly fading teardrop label ensconced in grey pearls (shown at top -- click on either bottle image for product details and local availability).

We chopped up a local organic chicken on the occasion of tasting the ashen-faced "Ego" (if you can't help but leave a carbon footprint pursuing your wine hobby then at least the food you serve with it can be sustainable.)



This was one of Eric's purchases from his favourite butcher Boucherie les Fermes Saint-Vincent at Jean-Talon Market. Gordon took on cooking duties and pan-fried the bird with a mirepoix instead of roasting it. Oven-roasting can get very smoky and hot. Montreal was already smoggy and humid, which I think is enough of a drain on your better tasting faculties as it is.

The wine, put right on schedule with this Snakshot of a dinner (that post is to come), was uncorked, carafed and chilled to cellar temperature.

Domaine Cazes's "Ego" requires decanting -- careful decanting -- and I did not see the remark on the label instructing you to do so. I was merely decanting for ceremony as we often do and found that lots of sediment got into the decanter. That said, even a sloppy decanting job with a Bordeaux bottle will manage to get most of the job done.

The second thing about the look of the wine we remarked on was its colour, a dull magenta colour, almost limpid. Before I set it into fridge while the cooking continued I gave it a good sniff. I like to decant wine if only for the superb opportunity it presents to inhale the aromas that gush out. On the nose it was very luxurious, berries and cotton candy.

This was the oldest wine I opened during WBW 33 preparations. Of 40 wines, only a few were 2001s and there were none older than that. This 2000 was indeed old by any standards. The sediment and colour indicate that it should not be cellared much longer.

HAD OLDER ROUSSILLON VINTAGES GIVEN UP ITS GHOST?

Finally the tasting. Chocolate-covered strawberries all the way! I was on my heels. Light to medium bodied, ample acid completing the wine's arch and a nice finish. No wood though I was getting some sweet vanilla notes. A relaxed wine, enjoying its golden years, as far from green as you could get.

This was a delicious dinner wine. And a fascinating look at an aged wine devoid of standard ageability factors such as the presence of Cabernet or other tannic grape variety, of oak barrels, and a Roussillon pedigree to boot. It reminded me of the recent discussion on Eric Asimov's The Pour in which aged Beaujolais was assessed for all its worth. Clearly, all you need is good acid and some integrity supplied by the grape, be it even a Gamay or even a Mourvèdre. It turns out that Domaine Cazes is selling their 1993 "Ego" online.

I tasted the Domaine Sainte-Marguerite another night and had no notes taken, but I'd be surprised if these two wines weren't identical in style, weight and flavour profile. The descriptive file indicates that it, unlike the Ego, added Carignan to the Syrah-Grenache-Mourvèdre blend. Sainte-Marguerite may have had a little less complexity but it too was an eye-opener for me at the very least for how delicate a 2001 red from Langudoc-Roussillon could be.

Bernard et Andre Cazes, Rivesaltes, France. 13.5%. Les Vignerons du Cellier de Thuir, Thuir, France. 12.5%.

Onward to WBW 34 people! WBW 33 has been moved to the catacombs.

catacombs design




THE WBW 33 CATACOMBS


Ghost of WBW 33
WBW 33, by the numbers
The roundup
Spirit of WBW 33: The feast
WBW 33
A WBW 33 appeal
Sweet side of WBW 33, pt 2
Sweet side of WBW 33, pt 1
WBW 33 shapeshifters: Vin de Pays, pt. 2
WBW 33 shapeshifters: Vin de Pays, pt. 1
The preparations
The backgrounder
The announcement

DOKTOR WEINGOLB'S APPENDIX

WBW 33: The master list
WBW 33: The country wines
WBW 33: The top ten


catacombs design